LIPPI, Filippino

Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
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LIPPI, Filippino Adoration of the Child sg oil


Adoration of the Child sg
Painting ID::  7943 		Adoration of the Child sg
c. 1483 Oil on wood, 96 x 71 cm Galleria degli Uffizi, Florence
   
   
     
LIPPI, Filippino The Intervention of Christ and Mary sf oil


The Intervention of Christ and Mary sf
Painting ID::  7944 		The Intervention of Christ and Mary sf
Oil on wood, 156,1 x 146,7 cm Alte Pinakothek, Munich
Oil_on_wood,_156,1_x_146,7_cm Alte_Pinakothek,_Munich
   
   
     
LIPPI, Filippino Portrait of an Old Man gs oil


Portrait of an Old Man gs
Painting ID::  7945 		Portrait of an Old Man gs
1485 Detached fresco, 47 x 38 cm Galleria degli Uffizi, Florence
   
   
     
LIPPI, Filippino Self-Portrait (detail) sg oil


Self-Portrait (detail) sg
Painting ID::  7946 		Self-Portrait (detail) sg
Detached fresco on flat tile, 50 x 31 cm Galleria degli Uffizi, Florence
   
   
     
LIPPI, Filippino Portrait of a Youth sg oil


Portrait of a Youth sg
Painting ID::  7947 		Portrait of a Youth sg
c. 1485 Wood, 51 x 35,5 cm National Gallery of Art, Washington
   
   
     
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     LIPPI, Filippino
     Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.

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